Broadside –  ★★★☆☆  – Underdeveloped   April Alsup Productions 7-15 Aug Review by Rebecca Mahar   Packing a fifteen-strong company into the intimate Willow Studio at Riddles Court, April Alsup’s  Broadside  asks its audience to consider an overlooked aspect of Revolutionary American history: the broadsides themselves, and how these short, printed documents acted as the social media networks of their day, spreading viral messages from hand to hand like wildfire.   The musical is an ambitious proposal, bringing with it a full-scale cast and weaving in traditional tunes (such as “The Liberty Song” and the ancient refrain of “Derry Down”) alongside creator Alsup’s original compositions. Unfortunately, however, it is the production’s great ambitions that are its greatest weakness. A scene from Broadside. Pic: April Alsup Productions.   Broadside ’s stated focus is intriguing, but the broadsides themselves get little more than a mention throughout the h...

 Brave Macbeth -  ★★★★★ - Smashin’ Assembly @ St Andrews Square (Venue 172): Fri 7 – Sun 30 Aug 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 7 Aug 2026. Edited by Thom Dibdin. Captive Theatre romps into the Bijou tent at St. Andrew’s Square with  Smashing Shakespeare: Brave Macbeth , a children’s adaptation of Shakespeare’s tragedy that’s heavy on charm and cheek and entirely without condescension. Cutting Shakespeare for performance is always a tricky business, but trying to pack the entire story into one hour, make it intelligible and fun for little ones, and make it a musical? It’s a tall order, but Captivate comes through, stripping Shakespeare’s play back to the barest of bones, most essential characters, and highlights of plot points. Jorgey Scott-Learmouth, Lucy Pedersen, and Ollie Heimann. Pic: Captivate. Visit All Edinburgh Theatre to read the full review !

The Hunchback of Notre Dame -  ★★★★★ - Splendimum Edinburgh Academy (Venue 70): Wed 5 – Sun 16 Aug 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 7 Aug 2026. Edited by Thom Dibdin. Captivate Theatre tackle the towering stage adaptation of Menken & Schwartz’s  The Hunchback of Notre Dame  with scale, beauty, and outstanding commitment to a score that demands nothing less than divine inspiration.  Adapted from the Disney film, Hunchback centres on the story of Quasimodo, the bellringer of Notre Dame. The orphaned son of Jehan, the rogue younger brother of the cathedral’s Archdeacon Claude Frollo, Quasi has been taken in by his uncle and kept out of sight. Alex Fraser as Quasimodo. Pic: Rosie Sco. Visit All Edinburgh Theatre to read the full review !

Into the Woods -  ★★★★☆ - Dark whimsy Edinburgh Academy (Venue 70): Wed 5 – Sun 16 Aug 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 7 Aug 2026. Edited by Thom Dibdin. Captivate Theatre takes on the Sondheim classic  Into the Woods  at their new venue down at Edinburgh Academy in Stockbridge, with a production that is charming and ambitious. An enduringly popular musical from the notoriously challenging composer,  Into the Woods  follows the story of a Baker and his Wife, desperate to have a child; the Witch next door who cursed the Baker’s “family tree to always be a barren one” and who sets the pair a quest in order to break her curse; and the other inhabitants of this fairytale land whose stories are caught up along the way. A scene from Into the Woods. Pic: Rosie Sco. Visit All Edinburgh Theatre to read the full review !

  THE CASTLE AND THE CLOISTER - ★★★★★ by Laura E. Weymouth Publishes 4 August 2026 UK - Del Rey Books US - Saga Press I received an ARC of this book as part of the author's Street Team. I was not obligated to provide a review. All opinions are my own. THE CASTLE AND THE CLOISTER hits shelves today and it’s high time I gave it the ★★★★★   review I’ve been stewing on since I got my grubby little hands on it and devoured it in one sitting.   This the book I’ve been waiting for. No, really— Laura has been teasing this project in the background for ages and without knowing anything about it, I’ve been (im)patiently waiting for it to arrive. I’ve been a fan of her YA novels since the beginning (A Treason of Thorns has my whole heart), and I knew that when the adult project finally made it into the world it would be worth every moment of the wait. This is book one of a duology, and I am already ravenous for the second course.   Set against the backdrop of tenuous peace, con...

Lear -  ★★★★☆  - Haunting Pitlochry Festival Theatre 9 July – 1 August Review by Rebecca Mahar   Pitlochry Festival Theatre takes on one of Shakespeare’s most towering tragedies for the first time this summer in Finn den Hertog’s adaptation of  Lear , featuring Maureen Beattie in the title role. In this  Lear  of queen and quandaries, den Hertog’s conceptual goals are somewhat subsumed by the play itself, but the production nevertheless delivers a worthy rendition of its storied source. Maureen Beattie and the cast of Lear. Pic: Tommy Ga-Ken Wan.   Lear  begins in the elderly monarch’s court, where she declares her intention to retire from the her office as Queen of Britain, and divide her realm among her three daughters. First, however, she asks each of them to profess how much they love her. The eldest and middle daughters, Goneril (Jenny Hulse) and Regan (Lindsey Campbell), make a great show of their professions, hoping for preferment; but the ...

Dracula -  ★★★☆☆ - Jukebox Ballet Festival Theatre: Fri 12-Sun 14 Jun 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 13 June 2026. Edited by Thom Dibdin. Big Live sweep onto the Festival Theatre stage with a limited engagement of  Dracula: Ballet at its Darkest , a new adaptation of the classic Bram Stoker horror. Promising lavish Gothic visuals and visceral storytelling, this is a ballet simmering with potential. Potential which is not yet fulfilled. Choreographed by the Australian company’s Artistic Director Joel Burke,  Dracula opens on a seventeenth century battlefield, where the formidable Vlad cuts his way through enemy after enemy. After learning that his wife has been killed by the Church, he sells his soul and transforms into Dracula. Ervin Zagidullan as Dracula. Pic: Big Live. Visit All Edinburgh Theatre to read the full review !

The Marriage of Figaro -  ★★★★☆ - Delightful Festival Theatre: Fri 29 May – Sat 6 Jun 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 30 May 2026. Edited by Thom Dibdin. Scottish Opera’s  The Marriage of Figaro  kicks off a limited engagement at the Festival Theatre in style, delivering a revival of Sir Thomas Allen’s 2010 production full of flair, humour, and outstanding performances. Set three years after the events of  The Barber of Seville , wherein the clever Figaro (Edward Jowle) helped Count Almaviva (Ian Rucker) woo and wed Rosina (Alexandra Lowe),  The Marriage of Figaro  opens on the morning of Figaro’s wedding to the now-Countess Almaviva’s maid, Susanna (Ava Dodd). Edward Jowle (Figaro) and Ava Dodd (Susanna) in The Marriage of Figaro. Pic: Mihaela Bodlovic. Visit All Edinburgh Theatre to read the full review !

Festival report Pitlochry Festival Theatre: Fri 16 – Sun 18 January 2026 by Rebecca Mahar Article commissioned by, and originally published on All Edinburgh Theatre, 26 January 2026. Edited by Thom Dibdin. This month saw Pitlochry Festival Theatre launch  Out in the Hills , a brand new festival celebrating all those LGBTQIA+, that “invites everyone to find new ways to look at the world, and each other.” Rebecca Mahar was able to get along on the Saturday and here reports from her day out at the  Theatre in the Hills  – where the weather couldn’t dampen the events indoors. Ian McKellen performing in Equinox. Pic: Tommy Ga-Ken Wan. Over three days packed with theatre, music, film, dancing and conversation,  Out in the Hills  brings together world-famous stars and up-and-coming artists; researchers and musicians; young and old and in between. In the darkness of January, Pitlochry Festival Theatre blazes as a beacon of light and joy, with the festival represent...

Cinderella: A Fairytale -  ★★★★☆  - Enchanting   Royal Lyceum Edinburgh 28 Nov – 3 Jan Review by Rebecca Mahar   Kicking off the festive season at the Lyceum,  Cinderella: A Fairytale  brings charm, wonder, and heartfelt joy to the stage in an adaptation of the classic story that is sure to please young and old alike. Olivia Hemmati as Ella with members of the company of Cinderella: A Fairytale. Pic: Mihaela Bodlovic. On the surface, the story is the same as the one well-known and loved: Ella’s mother dies when she is very young, she grows up close to her widowed father, who then marries a woman with two children of her own. When her father dies and Ella is left under the guardianship of her stepmother, the latter quickly becomes wicked, forcing her to work inside the house and cater to her step-siblings, earning the derisive nickname  Cinderella . But everything changes when Ella find a way to attend The Ball at The Palace, dancing with someone she do...